Corey Mylchreest’s ascent has been exceptionally rapid, and his ability to strike a balance between dramatic intensity and lighthearted charm has made him one of the most talked-about young British actors. Fans immediately began to wonder if his off-screen romantic life mirrored the connection he displayed on screen when he played opposite Sofia Carson in My Oxford Year. The chemistry between them felt remarkably similar to that of classic rom-com pairings.
When Mylchreest casually disclosed in an Extra interview that he had a girlfriend during the press for Queen Charlotte: A Bridgerton Story in 2023, there was conjecture that he was referring to British actress Hannah Holland. He told her that he sat down with her to get ready for his part, a comment that, despite its briefness, sparked continued interest.
| Detail | Information |
|---|---|
| Full Name | Corey Mylchreest |
| Birth Year | 1998 (Age 27) |
| Birthplace | London, England |
| Occupation | Actor |
| Notable Roles | Young King George (Queen Charlotte), Jamie (My Oxford Year) |
| Rumored Girlfriend | Hannah Holland |
| Last Public Appearance Together | Wimbledon, 2024 |
| Upcoming Projects | Blake and Mortimer, The Julia Set |
| First Major Film | My Oxford Year |
| Reference |
They were last spotted in public at Wimbledon in 2024, where they were pictured alongside other Bridgerton celebrities. At one point, Holland laid her head lightly on his shoulder; the photo quickly went viral on social media. Fans compared it to how other celebrity couples discreetly express love during public appearances, viewing it as a quiet affirmation of their relationship.
The two have kept a low public profile ever since, which has only increased curiosity. Their method seems especially intentional in a time when many celebrities record relationships in real time. Mylchreest has maintained a sense of mystery by keeping certain details confidential, which has allowed his work—rather than his personal life—to take center stage in headlines.
He humorously referred to his love language as “just gifts” in an August interview with India Today. Three times. “Gift, gift, gifts,” was a humorous moment that enhanced his personable, self-aware public persona. Even though it was obviously a joke, it demonstrated his talent for using humor to engage fans—something that works incredibly well for romantic actors.
Different acting philosophies influenced the chemistry with Carson in My Oxford Year. Carson saw chemistry as an intangible force, whereas Mylchreest stressed the value of being fully committed to the role and receptive to new information. Similar to the powerful combination of Regé-Jean Page and Phoebe Dynevor in Bridgerton, this dynamic, along with their innate rapport, produced an on-screen relationship that profoundly affected viewers.
Mylchreest’s career path demonstrates a calculated harmony between diversity and concentration. His breakthrough role as young King George demonstrated a talent for multi-layered period drama, following early roles like Adonis in The Sandman. His foray into contemporary romantic narrative with My Oxford Year reveals a vastly adaptable range that industry observers view as extremely promising. His intention to steer clear of typecasting is further indicated by upcoming projects like the drama The Julia Set and the live-action Blake and Mortimer.
Despite receiving less attention, Holland’s own acting has been praised for its emotional accuracy in theater circles. Their mutual commitment to craft may be especially helpful in overcoming the difficulties of juggling multiple creative careers if they are still together. It also bears a subtle resemblance to other actor couples who value their shared artistic development more than ongoing publicity.
Their relationship’s conjecture reflects a larger trend in entertainment where well-managed privacy frequently heightens public interest. Celebrities like Andrew Garfield have demonstrated that they can maintain their relatability and intrigue by providing only a few glimpses rather than continuous access. Similar steps seem to be being taken by Mylchreest, which may prove to be very effective in maintaining long-term fan engagement.
The contrast between his romantic on-screen personas and the uncertainty surrounding his real-life romance is what makes this story so captivating. This harmony preserves the appeal of mystery while enabling viewers to become fully engaged in the made-up relationships he depicts. The Wimbledon photos continue to be the most concrete point of connection for many fans—a moment of closeness that sparks discussions.
Mylchreest’s relationship status will probably come up again as My Oxford Year becomes more popular on Netflix and he takes on new roles. A unique public image is being shaped by the interaction between his personal privacy and professional visibility, regardless of whether he and Holland decide to confirm, redefine, or ignore it. The idea behind the image seems very clear: let the performances take center stage while the individual narrative develops at its own speed.
